Sculpting Paralympian Brandon Lyons

As I inquired about the next Paralympic model for my United States Olympic & Paralympic Committee Visitor Center art project, Brandon Lyons was ecstatically recommended: “You should see him do endless pull-ups in his wheelchair!” “He’s an animal!” “Yeah, he’d be great!” Little did I know how amazing and beautiful Brandon and his story would be. 

Brandon’s Para journey began Memorial Day of 2014, at the age 24. Brandon dove off a shallow pier and the resulting accident caused paralysis below his chest. After this terrifying event (including a problem with the helicopter en route to the hospital) and all-consuming rehabilitation work, Brandon was back to his job at Ernst & Young within four months. 

In 2016, Brandon discovered the joy of handcycling. In 2017, he qualified for the USA Paralympic Cycling team and became a resident of the Olympic & Paralympic Training Center (OPTC). Currently, he’s pedaling hard to win gold at Tokyo in 2020 and competing in fabulous, faraway places like Italy along the way.

I was very pleased and honored when Brandon eagerly agreed to my invitation to create a sculpture with him. I was even more delighted when I discovered how wonderful he is to work with and what a pleasure he is to know. The following Saturday, on his way to his weekly cycle training in the nearby foothills, Brandon stopped by my studio so we could design his art. When I went out to meet and assist him in the parking lot, Brandon had already gotten himself into his wheelchair, taken his handcycle out of his car, grabbed his backpack and was ready to go.

Brandon and others at the O&PTC wanted me to cast him posed on his cycle. I’d never cast anything that large, let alone a figure combined with a machine or device, so I wasn’t sure it could work. I had something else in mind but wanted to at least give their vision a try. When I stepped back to look at the form of this first design, I was elated. It conveyed the energy, power and speed of Brandon, man and machine. . 

After the sculpture was quickly formed, hardened, and removed from Brandon, we were awed by its size and physical detail. However, as the minutes passed, it started to slowly collapse from its height and weight, like the Wicked Witch melting to the floor. I was horrified but still determined. I could not let my Paralympic subjects down by giving up. 

I was later able to resurrect the structure mostly to its original form. It was still powerful and fascinating, and Brandon's figure emerged through it. But was it good enough? Could it still connect viewers to Brandon and inspire them with his story? Brandon was leaving soon for a ten-day competition trip. If I was to meet my deadline and have it installed at the USOC Visitor Center by the fifth anniversary of Brandon's paralyzing accident, there would be no time to recast. 

I invited many people who were unfamiliar with Brandon's project to look at it so I could study their response. Thankfully, the look on their faces confirmed that this artwork was more than sufficient to fulfill its purpose. For some who were familiar with my art, it was their favorite piece. Accidents and imperfections can be advantageous in art, allowing the mind's eye to imagine and invent. 

I wondered at the serendipity of it all – Brandon overcoming his permanent disability to participate fully in life, and his sculpture’s once perfect form now altered but still beautifully compelling. I also wondered at how his feet disappeared from the structure, which curiously illustrates that this cyclist cannot use his legs. You likely wouldn't notice this about the sculpture unless it was pointed out, just like I now only see Brandon's vast abilities, not his disability nor wheelchair. 

The resulting artwork of Brandon reminds me that my art is often a painting as much as it is a sculpture. Its form comes alive with big brush stokes and small, reflective highlights. As you walk around it, stepping closer and away, it seemingly transforms – like getting to know a person after seeing a first visual impression.  

When we returned to his car after that first design session, Brandon surprised me again by flinging open and holding the door for me as he allowed me to pull his precious, custom-fitted handcycle out of the studio. He could have managed to do this all himself, but just like making art, it was more gratifying for us to work together. 

Click hear to watch news coverage of Brandon’s Sculpture unveiling.

Learn more about Brandon at BrandonMLyons.wixsite.com and TeamUSA.org and @iron.lyons

Follow the conversation at #Sculpting Para #SculptingBrandon

P.S. My ultimate goal is to help fund Brandons’ Epidural Stimulation Trial after Tokyo 2020. This is his next 5-year goal – to restore the functioning of his full body, thereby advancing treatment for all others facing spinal cord injuries. I will create a new work of art for any person or entity wishing to sponsor Brandon’s recovery effort.